FINAL PIECE: Inspired by the Collaboration Process

Within this City project, I was asked to create two final pieces individually, one inspired by the fine art painting project and another that reflects the ideas, thoughts and new processes that I learnt during the collaborative process. As a collaborative we made drawings and stop motion animations. It seemed obvious to me that for this second piece I would like to create an animation that includes drawing to fit in with what I have learnt and worked on with my collaborative group and to portray the hidden loneliness of city life. The collaboration work we made as a group has already informed my individual work and I have started playing around with animations showing loneliness in the city.

I thought the experiment I made where all the people were cut out of a photo one by one apart from one individual was quite interesting and had a lot of scope for progression and so I have decided to make a stop motion animation incorporating the manipulation of my photographs to portray inner city loneliness as a final piece.

I have included two aspects of loneliness in the city within this piece. The imagery where all the people are cut out/scribbled over/painted in portrays the fact that you might as well be alone in the city when surrounded by others because you interact with  no one. If the only people you see are the passers-by of the city then you are going to be highly lonely because you would never converse with anyone face to face. The imagery where only one person has been singled out conveys the fact that you are insignificant which heightens the feeling of loneliness and that to all the other people you might as well not exist. Also, singling one figure out portrays them as being alone within an urban environment.

Within this piece, I have experimented with manipulating photos in a variety of ways to show loneliness. I have also included drawing within the piece and the use of tracing paper and paint. I think this piece is very successful and consolidates all the photo manipulation work I have produced throughout the whole of the project. These photo alterations inspired my paintings and kicked off my ideas to create this body of work so it seems only fitting that they make up one of my final pieces. The track that is playing behind this animation is “The lullaby of Loneliness” by Aaron English, chosen for obvious reasons. I have uploaded my final piece to YouTube so it is shared with the public and I can gain feedback from the users of the site. I think this piece is successful in portraying the hidden loneliness of city life and demonstrates a skill that I have worked on from making animations with my collaborative group.


FINAL PIECE: Based on the Fine Art Painting Project

I have decided to submit my monochrome shaped painting that I started within the last fine art project session as a final piece. It communicates all of the material skills that I have learnt throughout the painting project and accurately consolidates my body of work surrounding the hidden loneliness of life in the City. Participating in the project has taught me a wide variety of skills, I had never explored the technique of underpainting before and I learnt how much an underpainting really can inform a final piece. I also acquired a knowledge of dry brushing and allowing an underpainting to come through the top layer of paint. Creating a shaped painting was a new and interesting concept for me as well as like many other painters, I tend to traditionally paint on square or rectangular surfaces. I wanted my final piece to convey all of the skills and knowledge that I have gained from attending these sessions and I feel that this monochrome shaped piece with a green sort of under glow definitely does.

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Previously, I experimented with making the people the focus in my work  rather than the architecture and making the buildings more gestural. Like I said, I do think that this was highly successful, but in this piece, I think the buildings really add to the feeling of loneliness within the work because of the eery and sort of uneasy green underglow that is coming through the monochrome overlay. I employed the technique of dry brushing within this piece so that the green underpainting is really a valued part of this final outcome. I feel this piece really consolidates my city project. It portrays everything I have learnt, the things I have progressed with, the things I have not taken any further but learnt from and the meaning and concept behind my take on the city itself. I have included a coloured figure surrounded by white silhouettes within this piece because it has been my most successful portrayal of being surrounded by others in the city but alone. You might as well be alone in the city because no one interacts with you or notices your existence. You may as well be surrounded by bodies with no defining features – white silhouettes. I definitely feel that it is worse being around people and being made to feel alone in the city than actually being around no one. This piece represents how you are alone in the city regardless of being surrounded by others and that if the only people you see all day are the passers-by of the city, then your time in the urban environment can be an incredibly lonely, with no interaction or conversation with others.

As this is a final piece, I thought about the fact that it should be able to be presented and hung on the wall as a final outcome and so fixed a block of wood to the back of the board so that it can be hung upon nails or screws.

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I definitely would not have made this piece without attending the painting project sessions, they have been extremely valuable to me and even though I have had to create a final piece based on what I have learnt in these sessions, I think I would have made a piece inspired by them anyway because of how many new techniques and methods  I have worked with. Underpainting is definitely something I am going to be considering in the future as I feel it has really informed and added to the outcome created here. I think this piece is highly successful in portraying what I have learnt in the sessions as well as highlighting the hidden loneliness of City life and how you are alone and a singular figure in the city even when you are surrounded by others. I am incredibly happy with and proud of this final piece. It is definitely not something I would have usually created but that has taught me that experimenting with new styles and techniques can make for highly successful outcomes.

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PAINTING: Working with Monochrome and Being More Gestural

After attending a tutorial on Monday, I was glad that the tutor gave me some direction and new ideas and techniques to work with. After looking at my work, she suggested that I work with Monochrome and use the tones of grey to enhance the feeling of loneliness and make the individual coloured figure appear even more singled out and alone.

She also felt that my work was not really gelling as a whole and that I was working with three different realities and had to express the relationship between the figures, the single figure and the architecture. She said she thought the detailed buildings that were included in my work detracted from the figures and from the message within the pieces. She suggested that I experiment with contrasting colours, monochrome and full colour as well as contrasting languages, the gestural and the more realistic. I was encouraged to make marks and shapes that represent the buildings and to make them more gestural rather than focusing on every detail, window or door etc. I have experimented with making less detailed marks to create the city landscape with both brush and palette knife.

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I feel that working with a palette knife definitely helped me be less controlled and more gestural but doesn’t really gel with the figures painted with a brush and therefore is unsuccessful so I have experimented with more gestural brush work.

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I think this is far more successful and the monochrome definitely heightens the feeling of loneliness and the colours of the lone figure. After producing this piece, I decided to experiment with how much of the surrounding is seen within the painting, because even though the technique is successful, I feel that the buildings still are overwhelming the figures here.

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This definitely puts emphasis on the lone figure and draws the viewer to wonder why they are the only one not painted as a white silhouette and consider their loneliness rather than being distracted by the buildings in the piece.  These are highly valid experiments and have inspired me to create a final piece working with monochrome rather than the sepia alternative I have worked with previously. I feel this colour palette and deeper contrast portrays a more negative vibe and adds to the feeling of loneliness within the work.


SHAPED PAINTING: Working on Green Under-Painting

I have started working on the green under-painting of my shaped piece that I started in Mondays paint workshop. When I previously produced a green under-painting of a still life, I found that the tones I had worked with in the green underlay really informed the shadows and highlights that I painted when rendering the top coat. I found that I produced a far more three-dimensional and tonal outcome and that it was easier and quicker to do as I had already thought about tonal variation in the under-painting.

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In this shaped piece, I am taking more time on the under-painting and focusing on achieving dimension and tone within it. Also, I was really surprised by how well the green showed through my work when applying the top layer with a method of dry brushing and so this is something I will be working with again. I will document the progress of this painting and work hard to create a highly successful outcome portraying the hidden loneliness of the city. I will incorporate the white silhouette imagery I have been working with into this piece and work at creating a visually successful piece. I have never made a shaped painting, but I can see how it is going to make for an interesting outcome already. I am really enjoying the paint sessions and have already learnt many valuable skills that I have already started applying in my project work.


INSPIRATION: Artists that influence my ideas to create artwork highlighting the loneliness of city life

This artists work grabbed me as soon as I saw it. I love the scratchy line work and limited dull colour palette. I am highly influenced by how the use of dark line and monochrome and sepia tones are heightening the loneliness of the single figure in the foreground of the piece. The figure looks overwhelmed by the city and alone, emotions I would like to capture within my work.

The piece below “Alone in the City” is a combination of hands on drawing and digital editing. Unfortunately I am unsure of the name of the talent that produced this piece, but they show their work under the username shoe18.

http://shoe18.deviantart.com/art/Alone-in-the-City-170647391

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This colour palette and the idea of mixing media’s is something I am keen to start working with. The varied tone within each colour gives the piece a lot of mood and draws me to think about the use of black and brown drawing inks to capture similar effects. Maybe I could use the ink as a ground and then paint and draw into it. This style really jumps out at me and reminds me of a piece I saw in Berlin in the Urban Spree Gallery shown below.

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Again in this piece, even though there is a hint of blue coming through, the colour palette is based around blacks browns and white. I am definitely going to be heavily inspired by the works of both these artists and experiment with showing how you can be lonely even when you are around many people whilst employing inspirations from their style and limited colours. Unfortunately, again I’m not sure of the name of this artist’s work, it was tucked away on the floor in the gallery in Berlin but instantly grabbed me as a useful influence to my art work. The uncontrolled drips within this work are something that I would like to experiment with too. Already cannot wait to get stuck in.


JANICE JONG – Lonely Metropolis

I have started looking at artists that have explored the loneliness of being in the city. It surprised me to find quite a few artists that were interested in this subject. For me it is absolutely fascinating that there are so many people and the city is so busy but it is such a lonely existence for many. Especially being from a rural area and smaller community where even if the person next to you on the bus is a stranger you would still say hello to them or acknowledge their existence, whereas in cities that just is not how life is.

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Lonely Metropolis by Janice Jong shows the loneliness one can feel in a city where there are a million things vying for your attention but none of it is actually real. Looking through Janice’s work, you see both the beautiful and the lonely sides of a city. To me, this image shows how city life really is. In this typical city scene, there should be loads of people bustling around you and walking past, but they never acknowledge you or interact with you in anyway so they may as well not be there. This is a highly interesting concept to me and one that I want to investigate within my city project. This work also highlights how many people feel in the city, alone. It is fascinating to think that somewhere with such a massive population can have loneliness but it is coming the norm.

I read an article stating that stated city loneliness was now a health problem up there with high blood pressure, lack of exercise and obesity. Urban loneliness can significantly shorten your life expectancy it is said. Janice Jongs piece also makes me think about how overwhelming the city can be for someone. For me, being a student moving to the city was quite a lonely for a while and I definitely felt slightly overwhelmed by the large buildings etc. I think Janice’s work is a success, it highlights the loneliness of city life and shows exactly what she as trying to state incredibly accurately.