ASSESSMENT: SUBJECT AND FIELD: SET UP COMPLETE

I have now set up my studio space ready for assessment commencing tomorrow. I am really pleased with how it looks. Laying out my work took a lot longer than I expected initially, as I found myself really thinking about presentation, how to arrange my final pieces on the wall, how to arrange piles of supporting work and where I should stick labels and my blog address. I felt that my 3D fruit bowl piece looked lost among the supporting work on the table and so I made a shelf for it so it could be displayed more professionally.

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Now that all my field work and subject work is set up, I am slightly anxious but relieved. I think it is presented well and I have worked really hard this year and I’m hoping it is going to pay off. I have worked out of my comfort zone throughout and created works that I would never have imagined I’d create. I have definitely grown as an artist and a person this year and I feel as if I understand concept and am able to take ideas further than before I started creating these artworks.

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It is great to see a years worth of work come together and to reflect on the journey you have undertaken creating it. I am definitely proud of what I have achieved.


REFLECTION – INDIVIDUAL FIELD – CITY – LONELINESS

On reflection, I feel that the work I have created surrounding the Hidden City Brief is highly successful. I have been extremely out of my comfort zone when working on this project in a vast variety of ways and I feel that I have really pushed and challenged myself. I have always considered figures and the human form to be a weakness of mine when it came to drawing or painting them. When I had the City Brief, it seemed like an obvious opportunity to experiment with the figure and work on a project incorporating people to improve my skill. I have never really worked with photo-manipulation in this way before either and I have certainly never used my photo-manipulations to inspire paintings that I would create. I have worked with a variety of new methods including under-painting and working with grounds, and I feel as if I have learnt a huge amount, developed my skills and grown as an artist.

I really thought about what I was going to base my project on and I feel that it really paid off. I feel that the Hidden Loneliness of City life is a highly interesting concept that is so relevant to today’s society. I started by experimenting with portraying loneliness through working with photography and manipulating techniques. I was highly inspired by the cutting out all of the figures from my photographs apart from one, to portray the feeling of being alone in the city even though you are surrounded by others. I thought about the fact that all the other people in the city may as well not exist or at least might as well just be white silhouettes and I started working with paint and illustrating these ideas on board. Attending the paint workshops on a Monday has been an incredibly valuable use of my time and allowed me to work with new techniques and painting methods. I think my painting skills and knowledge has definitely been heightened.

In my opinion, there are quite a few successful elements to this body of work. The amount of experimentation I have done and how much I have learnt and progressed because of this is undoubtedly a success. I think all my paintings are successful in their own right because they have all taught me something. I worked with a sepia colour scheme and experimented with the scale of the people and use of background, because of this I came to the conclusion that monochrome was more effective in highlighting a feeling of loneliness than sepia and so I started experimenting with monochrome painting. This informed one of my final pieces and I definitely feel that it is only a successful final outcome because of the prior experimentation.

One element I feel is particularly successful is my consolidation of the work I produced and how I have linked it in to the work that I produced as part of the collaboration group with other students. I think that including stop motion animation into my project portraying loneliness was the most fitting way to link in what I have learnt through collaborating with my peers. Stop motion animation has turned out to be the perfect way to showcase the photo-manipulations and tracing paper experiments that I have been producing throughout the project. I feel as if I have successfully created a body of work that has a deep concept and portrays the fact that you can be surrounded by others in the city but you may as well be alone as you rarely interact with anyone. I also feel I have accurately shown how you may as well be invisible to others in the city and that you are singled out which heightens people’s feelings of loneliness.

However, there have obviously been things that haven’t really worked within this project which I feel I have quickly moved on from. For example, I attempted to show loneliness through bright colours but it didn’t really work. The art looked far too cheerful and I quickly pushed this idea to the side. Also, I don’t feel that working with a palette knife was a success as it detracted from the concept and the figures in my opinion. Finally, even though the concept of headphone beings was interesting, Looking back, I don’t think that the outcome is particularly successful. I think it looks quite unprofessional and amateur.

In conclusion, overall I feel that this project has been a success. I have challenged myself, experimented widely, practicing drawing and painting figures and learnt many new skills and approaches to art. I feel I have managed to demonstrate the hidden loneliness of city life and visually portrayed the fact that in the city you can be surrounded by many others but still feel so alone. It has been an incredibly interesting subject to research and create art work in response to. I will definitely notice others more in the city and make the effort to smile and make conversation with people because I know how lonely they might feel even though there are many members of the public around them.

 

 

 


VIDEO OF IMAGES OVERLAYED WITH TRACING PAPER AND FIGURES FROM MY PHOTOGRAPHS

During my feedback tutorial, In terms of consolidating and linking all of my work together, the tutor felt that to amalgamate the elements of experimentation within my project, I should consider combining my paintings with my tracing paper and photo-manipulation experiments. We talked about the idea of “The Transient City” and how the people around you change and are only around for a short time. There is no time to build conversation or relationships with others in the city. We discussed how this can add to the feeling of loneliness and how the city around you can become overwhelming and a blur. When thinking about the city being a blur, I thought about my tracing paper experiments and how the paper blurs out the background of a photograph. We came to the conclusion that more focus should be put on the figures and how combining tracing paper with my paintings could produce a foggy effect. When thick fog descends on a city, you cannot see anything or anyone else and you feel isolated and alone within a misty atmosphere. I came to the conclusion that combining tracing paper with my paintings would undoubtedly add to the feeling of loneliness within them.

I started experimenting but felt that the figures were lost behind the milky paper. I decided to heighten the feeling of loneliness further, I would stick people from my photographs on top of the tracing paper and match them up with the white silhouettes in my paintings. It seemed fitting that I incorporate figure overlays for all of the figures but one. I thought that leaving the coloured figure that is already isolated in my paintings without an overlay would add to the aesthetic of them being singled out and feeling alone amongst a sea of passers by. After experimenting with these ideas, I decided to photograph the result and incorporate the pictures into a faded video.

I feel that this clip brings together everything I have learnt and experimented with into a conclusion portraying the fact that it is a sad affair that in the city, people can come into contact with and see others every day but feel out of their comfort zone, lonely and isolated. I think this piece shows how to you things around you might as well be foggy and hazy and to others you might as well be invisible as you go unnoticed and unappreciated. The ideas and concepts at work here emphasise the hidden loneliness of City life and therefore I feel that I have successfully portrayed the concept that I set out to depict and adhered to the brief I was given. I am incredibly happy with the body of work I have managed to create, working with figures was highly out of my comfort zone and showing the feeling of loneliness was very challenging to me. I have really pushed myself this term and I feel that is what undertaking a degree is all about.

 


VIDEO OF PAINTINGS: The Hidden Loneliness of City Life

I was incredibly pleased with the feedback that I received within a tutorial that I attended before the Easter break. I was delighted to hear the tutor mentioning successes within the body of work that I have created and agreeing with me that creating a stop motion was a great way of consolidating my photo manipulations and works well as a final piece to this project. We talked about how everything seemed to inform something and that you could see my journey and progression throughout this project rather that there being lots of random experiments. I was very pleased with this feedback and we then moved on to discuss how the tutor felt I could finalize this work and bring everything together. He felt that making a fade video out of photographs of all my paintings would be beneficial and would allow people to see the development in my work and consolidate a large amount of blog posts and images into one outcome.

After producing this piece, I feel that to me, it shows progression and all the hard work that I have put in to produce paintings alongside my photo-manipulations, animations, experiments and my collaboration work. In terms of the title of my project, I feel that when looking at these paintings you get the feeling of loneliness. I have worked with the topic of the Hidden Loneliness of City life when producing these paintings. When experimenting with photo-manipulation I found that cutting out figures and leaving one left behind portrayed the feeling of being alone in the city even though you are surrounded by others. I thought about the fact that all the other people in the city may as well not exist or at least might as well just be white silhouettes. These paintings were inspired by my photo-manipulation work and I have experimented with grounds, colours, loneliness representation and scale throughout. I think the theme of the white silhouettes running through the video heightens the feeling of the single figures feeling alone amongst the masses in the city.

Overall, I feel that both these paintings and the video portraying them all are highly successful. I think this video shows the journey that I have undertaken during this project and brings together all of my paintings so that they can be viewed all at once. I hadn’t realised quite how much work I have created and I am incredibly proud of what I have achieved within this project. The loneliness of City life is heightened within this piece and it showcases my work in a professional and consolidated way.

 


FINAL PIECE: Inspired by the Collaboration Process

Within this City project, I was asked to create two final pieces individually, one inspired by the fine art painting project and another that reflects the ideas, thoughts and new processes that I learnt during the collaborative process. As a collaborative we made drawings and stop motion animations. It seemed obvious to me that for this second piece I would like to create an animation that includes drawing to fit in with what I have learnt and worked on with my collaborative group and to portray the hidden loneliness of city life. The collaboration work we made as a group has already informed my individual work and I have started playing around with animations showing loneliness in the city.

I thought the experiment I made where all the people were cut out of a photo one by one apart from one individual was quite interesting and had a lot of scope for progression and so I have decided to make a stop motion animation incorporating the manipulation of my photographs to portray inner city loneliness as a final piece.

I have included two aspects of loneliness in the city within this piece. The imagery where all the people are cut out/scribbled over/painted in portrays the fact that you might as well be alone in the city when surrounded by others because you interact with  no one. If the only people you see are the passers-by of the city then you are going to be highly lonely because you would never converse with anyone face to face. The imagery where only one person has been singled out conveys the fact that you are insignificant which heightens the feeling of loneliness and that to all the other people you might as well not exist. Also, singling one figure out portrays them as being alone within an urban environment.

Within this piece, I have experimented with manipulating photos in a variety of ways to show loneliness. I have also included drawing within the piece and the use of tracing paper and paint. I think this piece is very successful and consolidates all the photo manipulation work I have produced throughout the whole of the project. These photo alterations inspired my paintings and kicked off my ideas to create this body of work so it seems only fitting that they make up one of my final pieces. The track that is playing behind this animation is “The lullaby of Loneliness” by Aaron English, chosen for obvious reasons. I have uploaded my final piece to YouTube so it is shared with the public and I can gain feedback from the users of the site. I think this piece is successful in portraying the hidden loneliness of city life and demonstrates a skill that I have worked on from making animations with my collaborative group.


FINAL PIECE: Based on the Fine Art Painting Project

I have decided to submit my monochrome shaped painting that I started within the last fine art project session as a final piece. It communicates all of the material skills that I have learnt throughout the painting project and accurately consolidates my body of work surrounding the hidden loneliness of life in the City. Participating in the project has taught me a wide variety of skills, I had never explored the technique of underpainting before and I learnt how much an underpainting really can inform a final piece. I also acquired a knowledge of dry brushing and allowing an underpainting to come through the top layer of paint. Creating a shaped painting was a new and interesting concept for me as well as like many other painters, I tend to traditionally paint on square or rectangular surfaces. I wanted my final piece to convey all of the skills and knowledge that I have gained from attending these sessions and I feel that this monochrome shaped piece with a green sort of under glow definitely does.

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Previously, I experimented with making the people the focus in my work  rather than the architecture and making the buildings more gestural. Like I said, I do think that this was highly successful, but in this piece, I think the buildings really add to the feeling of loneliness within the work because of the eery and sort of uneasy green underglow that is coming through the monochrome overlay. I employed the technique of dry brushing within this piece so that the green underpainting is really a valued part of this final outcome. I feel this piece really consolidates my city project. It portrays everything I have learnt, the things I have progressed with, the things I have not taken any further but learnt from and the meaning and concept behind my take on the city itself. I have included a coloured figure surrounded by white silhouettes within this piece because it has been my most successful portrayal of being surrounded by others in the city but alone. You might as well be alone in the city because no one interacts with you or notices your existence. You may as well be surrounded by bodies with no defining features – white silhouettes. I definitely feel that it is worse being around people and being made to feel alone in the city than actually being around no one. This piece represents how you are alone in the city regardless of being surrounded by others and that if the only people you see all day are the passers-by of the city, then your time in the urban environment can be an incredibly lonely, with no interaction or conversation with others.

As this is a final piece, I thought about the fact that it should be able to be presented and hung on the wall as a final outcome and so fixed a block of wood to the back of the board so that it can be hung upon nails or screws.

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I definitely would not have made this piece without attending the painting project sessions, they have been extremely valuable to me and even though I have had to create a final piece based on what I have learnt in these sessions, I think I would have made a piece inspired by them anyway because of how many new techniques and methods  I have worked with. Underpainting is definitely something I am going to be considering in the future as I feel it has really informed and added to the outcome created here. I think this piece is highly successful in portraying what I have learnt in the sessions as well as highlighting the hidden loneliness of City life and how you are alone and a singular figure in the city even when you are surrounded by others. I am incredibly happy with and proud of this final piece. It is definitely not something I would have usually created but that has taught me that experimenting with new styles and techniques can make for highly successful outcomes.

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Further Experimentation with Tracing Paper

Previously, I have drawn on top of tracing paper to portray the fact that everyone else around a person in the city might as well not exist and to show the ghostly bodies of the city that move around you with zero interaction or conversation. I have now experimented with cutting a single figure out of the tracing paper and placing it over my photographs which I feel is more successful in its portraying my concept but not as visually appealing as drawing on top is.

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As with my more recent photo manipulations, I started experimenting with ways of showing that vice versa, you may as well not exist to all the others around you and that not being noticed or acknowledged in the city can make you feel extremely lonely within it. The manipulation below is highly unsuccessful in my opinion, It hasn’t really worked in showing that you may as well not exist and looks unprofessional as the tracing paper shows the glue underneath it.

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Due to this being unsuccessful, I experimented with cutting out all the people in an image apart from one. That one person is definitely unnoticed in the image and I feel this method of manipulating the tracing paper accurately shows that to all the other people in the city you might as well not be there. I am glad to see successes coming out of my exploration and continuous working.

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I am glad my tutor suggested I continue experimenting with these materials as I believe I have created some successful outcomes here. I have also learnt what doesn’t work and progresses within my project.