COLLABORATIVE REFLECTION: Documenting in our Collaborative Book

We met up as a group today and discussed our original timetable and how to progress over the next few weeks. The original plan was to work with creating a new animation using what we’ve learnt and make a large collaborative drawing, but we got all of the work we have produced together, and didn’t realise quite how much work we have already made. We were delighted to learn that we had been enjoying this collaboration so much that we hadn’t really stepped back and looked and reflected on what we had done. Today, we decided that we will put the two animations we have already made into one video as a final animation and instead of making a large drawing, we will display 3 of the best A1 pieces we have created.

We worked on our collaborative book today and brought it up to date with documentation.

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After that we wrote some written reflection and formulated an action plan up to the assessment point on the 18th March. This included mashing together our animations, reflecting, finishing documenting and creating our book and then finally, working on our final presentation to be presented to all the other collaborative groups.

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Finally, we decided it would be beneficial to consolidate and conclude our book by writing about how this collaboration has influenced our own individual practice. 

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We each wrote a small paragraph about what we had learnt and will take away from this experience and we were delighted that every one of us had written about a positive experience whilst working in a collaborative group. We have worked really hard and want to enjoy celebrating what we have made and portraying that in a presentation rather than stressing out about making new things. Our work has a lot of potential and direction and that is enough for us. We are proud of ourselves and each other for what we have managed to achieve in such a short space of time working around other commitments.

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Further Experimentation with Tracing Paper

Previously, I have drawn on top of tracing paper to portray the fact that everyone else around a person in the city might as well not exist and to show the ghostly bodies of the city that move around you with zero interaction or conversation. I have now experimented with cutting a single figure out of the tracing paper and placing it over my photographs which I feel is more successful in its portraying my concept but not as visually appealing as drawing on top is.

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As with my more recent photo manipulations, I started experimenting with ways of showing that vice versa, you may as well not exist to all the others around you and that not being noticed or acknowledged in the city can make you feel extremely lonely within it. The manipulation below is highly unsuccessful in my opinion, It hasn’t really worked in showing that you may as well not exist and looks unprofessional as the tracing paper shows the glue underneath it.

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Due to this being unsuccessful, I experimented with cutting out all the people in an image apart from one. That one person is definitely unnoticed in the image and I feel this method of manipulating the tracing paper accurately shows that to all the other people in the city you might as well not be there. I am glad to see successes coming out of my exploration and continuous working.

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I am glad my tutor suggested I continue experimenting with these materials as I believe I have created some successful outcomes here. I have also learnt what doesn’t work and progresses within my project.


More Photo Manipulation Experiments: Loneliness in the City

As my tutor suggested, I have been conducting further experimentation into portraying the hidden loneliness of the city through photo manipulation.  He suggested I considered the fact that I didn’t have to cut out the whole of the figures from my photos and that I could make statements by just cutting out certain parts. Below, I have experimented with cutting or blocking out the face of all the bodies bar one to portray the fact that in the city, all the people around you may as well just be bodies with no identity just moving around you. As you do not interact with them, they may as well have blank faces. I think this definitely shows one person to be singled out and portrays the feeling of being alone, but I do not think this manipulation is as successful as cutting out the whole figure and for me does not make as bigger impact. The white cut out faces are clear, but I feel the image below where I have blacked out the faces is highly unsuccessful and the act of manipulation is unclear.

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Throughout my exploration of photo manipulation, I have focused on the fact that all the people around you in the city may as well not exist, but until now I haven’t portrayed the fact that you may as well not exist to them either. Below are some images I have worked with in portraying this idea. Feeling unnoticed and unappreciated by others is a massive contributor to feeling isolated or alone.

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Here, I have scribbled out one figure. I think this is successful in making a subtle statement about people feeling lonely and going unnoticed in the city, It is not immediately obvious until you really look at the picture and draws you in to think about the reason behind blacking out a person. Below, I picked someone who goes unnoticed and is ignored by many on a daily basis, a big issue salesman and scribbled out their face to heighten the fact that their identity is unappreciated.

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In my opinion, these below are my two most successful manipulations in showing the fact that you may as well not exist to others in the city, and how lonely it can feel being unnoticed. The figure is obviously singled out and prominently taken out of the picture portraying the fact that they may as well not be in it in the first place. Being different can evoke feelings of loneliness and here a white silhouette differentiates the figure from the others.

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Experimenting further with photo manipulation has definitely given me new angles to explore feelings of loneliness in the city and I have explored different ways of portraying these angles. As my tutor suggested, I am now going to do some more experimentation with tracing paper and combining it with my photographs.


A Walk in Cardiff: Photographs of People in the City

I took some more photographs of people in the City, again there was minimal interaction and I noticed many lonely beings. I will use these images to produce some more photo manipulation experiments and to explore ways of showing loneliness in the city by editing my images by hand.

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I had a tutorial today and the tutor seemed to like my photo cut outs and tracing paper experiments so I plan on using these images to work with those ideas and develop ways of portraying urban loneliness through photo manipulation further.


Field: COLLABORATION: Stop Motion Animation – Collaborative Drawing

Here is the Stop Motion Animation of a collaborative drawing that we all created together. We got together to create the drawing and took pictures of it from above every few seconds. It was really difficult to take a picture in exactly the same place as the previous image, and as a result the stop motion does jump around a little bit. This is only a practice animation, but when we come to make one for the final outcome, we will definitely need to set it up and use a tripod to hold the camera in place and prevent this. It is really interesting to see the development of one of our drawings through photography and animation and to be honest, as I had never animated such a large, collaborative piece before, I wasn’t really sure how it was going to turn out, but for a first attempt we all felt it was better than we expected. It really captures the journey of our drawing and highlights our collaboration by showing all the different parts of the drawing collaborating at once.

Now we have had a practice, and are happy with the process of producing Stop Motion Animations, we will produce a more professional standard of animation using a tripod to keep the camera still. We are thinking of including little clay models of people on top of the collaborative drawing (incorporating Chelsea’s ceramic influence further) and animating, then painting bits out with white paint and redrawing on top and animating that as well. We are keen to be a bit more experimental and look forward to producing a final animation piece.


Field COLLABORATION: Stop Motion Inspiration

As we are planning to experiment with stop motion, we thought it would be a worthwhile experience to research artists that have produced animations and to browse existing stop motions. We came across the amazing works of William Kentridge. His stop motions are incredible, the drawings flow into one another completely flawlessly and produce a highly professional outcome. He encourages us to be expressive and take pictures within the animation frequently.

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We liked the fact that he had used charcoal and seemed to have rubbed out parts of the drawing and drawn back over the top of it. His work tells a story, in our stop motion, we are planning to show the journey of us, as a group, building up a collaborative drawing.

In our tutorial, we mentioned our ideas that included animation and they showed us the work of Sir Ken Robinson, commonly he delivers TED talks, but also uses stop motion animation to convey the point he is trying to make. This encouraged us to think about stop motion animation and text. In terms of the end presentation of the field collaboration that we are required to deliver, Ken’s animation encouraged us to think about creating animated titles or slides within the presentation.

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We are excited to start producing a stop motion animation of a collaborative drawing. We will all draw and take pictures every few seconds until the drawing is complete, we will then put all the images together and hopefully create an interesting animation. We will have a practice first before creating one that we would like to submit for our final outcome.


Experimenting with Tracing Paper

I have been experimenting with tracing paper within my hidden loneliness project. I wanted to highlight that when you are walking around the city, all the other people may as well not be there. I also thought about the fact that they are not important to you, they are just silhouettes passing you by that you may catch a glance with every now and then.

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The existence of the other people around you is very transparent with not much significance or importance in your day. I thought the use of tracing paper highlighted this transparency. I started thinking about people being in a rush to do things or get to places in the city and how the world around them is foggy and muffled and not really taken note of. I experimented with placing tracing paper over my black and white photographs and drawing one person only in bold black fine line on top to highlight this observation.

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I think these explorations are successful, they definitely convey an immediate feeling of loneliness and look artistically interesting.  There is something highly charming about them. However, I’m not sure I will be incorporating the use of tracing paper into my art work or final pieces for this project.  Experimenting with it has been valuable and made me consider more ideas and think about not noticing other people or the city around you when you are in a hurry. I may incorporate its use into the collaborative drawings I am working on in my field group.