FINAL PIECE: Based on the Fine Art Painting Project

I have decided to submit my monochrome shaped painting that I started within the last fine art project session as a final piece. It communicates all of the material skills that I have learnt throughout the painting project and accurately consolidates my body of work surrounding the hidden loneliness of life in the City. Participating in the project has taught me a wide variety of skills, I had never explored the technique of underpainting before and I learnt how much an underpainting really can inform a final piece. I also acquired a knowledge of dry brushing and allowing an underpainting to come through the top layer of paint. Creating a shaped painting was a new and interesting concept for me as well as like many other painters, I tend to traditionally paint on square or rectangular surfaces. I wanted my final piece to convey all of the skills and knowledge that I have gained from attending these sessions and I feel that this monochrome shaped piece with a green sort of under glow definitely does.

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Previously, I experimented with making the people the focus in my work  rather than the architecture and making the buildings more gestural. Like I said, I do think that this was highly successful, but in this piece, I think the buildings really add to the feeling of loneliness within the work because of the eery and sort of uneasy green underglow that is coming through the monochrome overlay. I employed the technique of dry brushing within this piece so that the green underpainting is really a valued part of this final outcome. I feel this piece really consolidates my city project. It portrays everything I have learnt, the things I have progressed with, the things I have not taken any further but learnt from and the meaning and concept behind my take on the city itself. I have included a coloured figure surrounded by white silhouettes within this piece because it has been my most successful portrayal of being surrounded by others in the city but alone. You might as well be alone in the city because no one interacts with you or notices your existence. You may as well be surrounded by bodies with no defining features – white silhouettes. I definitely feel that it is worse being around people and being made to feel alone in the city than actually being around no one. This piece represents how you are alone in the city regardless of being surrounded by others and that if the only people you see all day are the passers-by of the city, then your time in the urban environment can be an incredibly lonely, with no interaction or conversation with others.

As this is a final piece, I thought about the fact that it should be able to be presented and hung on the wall as a final outcome and so fixed a block of wood to the back of the board so that it can be hung upon nails or screws.

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I definitely would not have made this piece without attending the painting project sessions, they have been extremely valuable to me and even though I have had to create a final piece based on what I have learnt in these sessions, I think I would have made a piece inspired by them anyway because of how many new techniques and methods  I have worked with. Underpainting is definitely something I am going to be considering in the future as I feel it has really informed and added to the outcome created here. I think this piece is highly successful in portraying what I have learnt in the sessions as well as highlighting the hidden loneliness of City life and how you are alone and a singular figure in the city even when you are surrounded by others. I am incredibly happy with and proud of this final piece. It is definitely not something I would have usually created but that has taught me that experimenting with new styles and techniques can make for highly successful outcomes.

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Finished Painting: Underpainting, Pattern and Dry Brushing

I have spending my evenings working in the studio, I have now finished my still life painting that I have been producing in and outside of a paint workshop I have been attending every Monday and I highly pleased and proud of the result. At first, I was unsure of the benefits of underpainting, especially using green tones but I have been pleasantly surprised. The green tones coming through under the colour I have dry brushed over the top has definitely helped add depth to my painting. It has also changed the colours on top and undoubtedly helped inform my decisions when painting in shadows and highlights.

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In my opinion, this is an incredibly successful outcome and I have learnt so much about painting that I didn’t know before.  I think the depth in the work and the three-dimensional quality it has is one of the most successful elements. The addition of a dotted pattern in the chair and thin line work on the book edges has shown me how to create subtle detail and add texture to my work when working on a flat surface. This has been such a valuable exercise for me and I will definitely be using underpainting and techniques such as dry brushing within my work in the future and  within this project.