FINAL PIECE: Based on the Fine Art Painting Project

I have decided to submit my monochrome shaped painting that I started within the last fine art project session as a final piece. It communicates all of the material skills that I have learnt throughout the painting project and accurately consolidates my body of work surrounding the hidden loneliness of life in the City. Participating in the project has taught me a wide variety of skills, I had never explored the technique of underpainting before and I learnt how much an underpainting really can inform a final piece. I also acquired a knowledge of dry brushing and allowing an underpainting to come through the top layer of paint. Creating a shaped painting was a new and interesting concept for me as well as like many other painters, I tend to traditionally paint on square or rectangular surfaces. I wanted my final piece to convey all of the skills and knowledge that I have gained from attending these sessions and I feel that this monochrome shaped piece with a green sort of under glow definitely does.

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Previously, I experimented with making the people the focus in my work  rather than the architecture and making the buildings more gestural. Like I said, I do think that this was highly successful, but in this piece, I think the buildings really add to the feeling of loneliness within the work because of the eery and sort of uneasy green underglow that is coming through the monochrome overlay. I employed the technique of dry brushing within this piece so that the green underpainting is really a valued part of this final outcome. I feel this piece really consolidates my city project. It portrays everything I have learnt, the things I have progressed with, the things I have not taken any further but learnt from and the meaning and concept behind my take on the city itself. I have included a coloured figure surrounded by white silhouettes within this piece because it has been my most successful portrayal of being surrounded by others in the city but alone. You might as well be alone in the city because no one interacts with you or notices your existence. You may as well be surrounded by bodies with no defining features – white silhouettes. I definitely feel that it is worse being around people and being made to feel alone in the city than actually being around no one. This piece represents how you are alone in the city regardless of being surrounded by others and that if the only people you see all day are the passers-by of the city, then your time in the urban environment can be an incredibly lonely, with no interaction or conversation with others.

As this is a final piece, I thought about the fact that it should be able to be presented and hung on the wall as a final outcome and so fixed a block of wood to the back of the board so that it can be hung upon nails or screws.

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I definitely would not have made this piece without attending the painting project sessions, they have been extremely valuable to me and even though I have had to create a final piece based on what I have learnt in these sessions, I think I would have made a piece inspired by them anyway because of how many new techniques and methods  I have worked with. Underpainting is definitely something I am going to be considering in the future as I feel it has really informed and added to the outcome created here. I think this piece is highly successful in portraying what I have learnt in the sessions as well as highlighting the hidden loneliness of City life and how you are alone and a singular figure in the city even when you are surrounded by others. I am incredibly happy with and proud of this final piece. It is definitely not something I would have usually created but that has taught me that experimenting with new styles and techniques can make for highly successful outcomes.

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PAINT WORKSHOP: Working on top of Green Underpainting

Today, I attended the paint workshop, where I started working on top of the Green underpainting that I have been working on this week. Prior to this workshop, I had a tutorial with one of our tutors – Susan Adams, who suggested that I worked in monochrome to highlight the one person that is in colour within my work. I think this is a great suggestion and I will experiment with this technique throughout the further stages of my project. In this session, based on the feedback I have been given, I decided to work with a monochrome layer on top of the Green underpainting, and I was interested to see how the green would shine through the greys.

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I started to realise that I had already done a lot of the work by putting detail into the underpainting and that I could use it as a guide to work on top of.  I focused on creating dimension and tone in the underlay and this definitely helped the success of the paint I was applying on top because I could follow the tones I have considered and thought out previously. I have employed dry brushing techniques here so that the glow of the green underlay is allowed to come through. I have been researching artists that use these techniques within their work and I came across the YouTube video’s of George Ayers, who incorporates much of the detail into a green underpainting and like me uses it more as a guide to work on top of.

I am really pleased with how this piece is turning out. Before these sessions, I never realised quite how useful an underpainting could be and how it really does inform the outcome. It is definitely something I will be condsidering a lot more in my future as an art student and an artist.

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I will continue to work on this piece this week and finish it ready for next monday’s session where we will be exhibiting what we have created and presenting what we have learnt.


SHAPED PAINTING: Finished Green Underpainting

I have now finished the green under-painting I have been working on this week, ready to paint the shaped painting on Monday afternoon in the paint workshop.

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I have linked my shaped painting into my Hidden loneliness project and painted all the people as white silhouettes apart from one, to show that the one person may as well be alone because there is no interaction with any of the other people around them, they may as well not exist. I feel this heightens loneliness, but this green under-painting has proved to me that colour is very important when portraying loneliness, because I would say this figure looks lonely than in the pieces I have painted in dark and sepia tones.

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I am really pleased with the result, I focused on creating tone and highlights and shadows and I feel as if this is definitely evident and I am confident that this underlay with inform the final outcome greatly.

 


SHAPED PAINTING: Further Work into my Green Under-Painting

I have been working in the studio most evenings this week, painting my green under-painting ready for Monday’s workshop when we will start painting colour on top of it. I have been focusing on highlights and shadows and creating tone and dimension within this underlay. I find the colour mixing involved with this process really enjoyable, as you are only allowed to darken the green with red and blue and lighten it with yellow and white, and it is quite relaxing working on this in the studio.

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I am also really happy with how the shape of the board I cut out is bringing the whole painting together. The castle turrets, I feel are particularly successful and I think I have managed to create a sense of depth and dimension within this under-painting.

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Now that I have painted the tones, highlights and shadows into the under-painting, I will be confident when applying the next layer of paint.  I am pleased with how it looks so far and will continue working on it until it is finished and ready for the next stage. I have learnt so much making this piece and it has been such a valuable experience and now that I have learnt more in the workshops, I can see a progression already from the last green under-painting to this one.


SHAPED PAINTING: Working on Green Under-Painting

I have started working on the green under-painting of my shaped piece that I started in Mondays paint workshop. When I previously produced a green under-painting of a still life, I found that the tones I had worked with in the green underlay really informed the shadows and highlights that I painted when rendering the top coat. I found that I produced a far more three-dimensional and tonal outcome and that it was easier and quicker to do as I had already thought about tonal variation in the under-painting.

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In this shaped piece, I am taking more time on the under-painting and focusing on achieving dimension and tone within it. Also, I was really surprised by how well the green showed through my work when applying the top layer with a method of dry brushing and so this is something I will be working with again. I will document the progress of this painting and work hard to create a highly successful outcome portraying the hidden loneliness of the city. I will incorporate the white silhouette imagery I have been working with into this piece and work at creating a visually successful piece. I have never made a shaped painting, but I can see how it is going to make for an interesting outcome already. I am really enjoying the paint sessions and have already learnt many valuable skills that I have already started applying in my project work.


PAINT WORKSHOP: Underpainting Finished

Today, I spent the afternoon working in my studio and finishing off the underpainting I started in the painting workshop on monday. There are many green tones used to make up this underpainting of a still life of my book, photograph and headphones. They are darkened with red and blue and lightened with yellow and white. It is now ready for the next layer of paint, which I will be embarking on in next Mondays painting session.

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I am intrigued to see how the underpainting affects the final result of the piece and if and how the green tones beneath the colours that I apply on top change them at all. I am also excited to see whether the green ends up showing through the painting in any way and if the highlights and shadows that I have already created in the underpainting, inform the highlights and shadows I apply in the next layer.

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I must admit that I don’t usually underpaint when producing artwork, I tend to just go for it on a white canvas or piece of board or paper. It is great that I am learning a new technique and I look forward to applying the skills and knowledge that I learn to the work I am producing in my City Project.