PAINT WORKSHOP: Working on top of Green UnderpaintingPosted: March 10, 2014
Today, I attended the paint workshop, where I started working on top of the Green underpainting that I have been working on this week. Prior to this workshop, I had a tutorial with one of our tutors – Susan Adams, who suggested that I worked in monochrome to highlight the one person that is in colour within my work. I think this is a great suggestion and I will experiment with this technique throughout the further stages of my project. In this session, based on the feedback I have been given, I decided to work with a monochrome layer on top of the Green underpainting, and I was interested to see how the green would shine through the greys.
I started to realise that I had already done a lot of the work by putting detail into the underpainting and that I could use it as a guide to work on top of. I focused on creating dimension and tone in the underlay and this definitely helped the success of the paint I was applying on top because I could follow the tones I have considered and thought out previously. I have employed dry brushing techniques here so that the glow of the green underlay is allowed to come through. I have been researching artists that use these techniques within their work and I came across the YouTube video’s of George Ayers, who incorporates much of the detail into a green underpainting and like me uses it more as a guide to work on top of.
I am really pleased with how this piece is turning out. Before these sessions, I never realised quite how useful an underpainting could be and how it really does inform the outcome. It is definitely something I will be condsidering a lot more in my future as an art student and an artist.
I will continue to work on this piece this week and finish it ready for next monday’s session where we will be exhibiting what we have created and presenting what we have learnt.