Within my subject module, as things physically change over time, it is highly important to document the developments of my work and take photographs of things that have moulded. Here are some images of my moulding Petri Dish artwork, It has demonstrated the juxtaposition between real mould changing over time and the mould that I created being a frozen moment in time highly accurately. The Fake moulding dishes have not changed but that cannot be said for the real moulds.
With this Idea, I wanted to portray the concept of the juxta position and relationship between real and fake moulds. I also wanted to portray the fact that the things we throw away and take for granted i.e. moulding food can be art and can be seen in a different light. It is so interesting to see how these litle petri dishes have changed over the christmas holiday and it is a shame that we miss a lot by ignoring it or in this case, binning it before it gets to this stage. Below are some particularly interesting dishes and changes that have occured:
In this project, I set out to investigate and capture food decay, I wanted to create an interesting art project and pieces that is not typical or usually thought of as art. I think I have definitely been successful in adhereing to both of these goals within this piece and the whole body of work that I have created.
I have captured decay that we wouldn’t usually get to see and I have used mould to create art pieces, I have also reigned my ideas in from watching things mould and created fake moulds using art materials and paints. Juxtaposing these two elements within this piece has brought my project together and makes it feel a lot more consolidated as a whole. I will continue to work with these ideas and think about reflecting and discussing whether I consider my work to be art at all.
The initial inspiration for this final piece using petri dishes to create an art piece was a mug I forgot about that still have some tea in it. After I eventually remembered about it the bottom had started to mould and reminded me of how a sample in a petri dish sometimes looks. I instantly thought about the more scientific side to things decaying and started to work on how I could incorporate Petri Dishes into an art piece. Below is an image of the mug that inspired this thought.
I immediately got hold of some petri dishes and started filling them with things that would decay over time, like bread, milk, yoghurt, tea, juice and combinations of two or more of these ingredients. I wanted to see how they moulded in a dish with little air and different conditions to how I have moulded things before. At this point, I was not really sure how I was going to use these pieces to create an art piece but I was confident that eventually I would. Below are images of some of the petri dishes before and after they have started to mould. Some of them have become very interesting objects and will continue changing over time but I did not feel that displaying these objects alone as art was enough.
I decided to paint the inside of some more petri dishes with fake mould to create a juxtaposition between the real and the not real. This idea was inspired by Vija Celmins “to fix the image in memory” which plays with post perspective by asking what is real? In this work, there are two rocks, one is real and one is an imitation. There is the same principle as a hall of mirrors. This undoes the notion of realistic artwork because we have no idea which one is art.
Creating real and fake moulding petri dishes and displaying them altogether does make the viewer ask themselves which ones are art? Are they all art, as one piece? Are the petri dishes miniature paintings or symbols of decay? that is up to you. By doing this, I have tried to show a juxtaposition between things changing over time (real mould) and preserving time or capturing a moment in the decay process (fake mould). Interesting things are happening when displaying these two notions together. In my opinion the piece that I have created from petri dishes is one of my most successful.
The juxtaposition between the real and the fake within decay is something I have explored over and over throughout the project and I feel that this piece sums up my findings accurately which is why I chose to display it as a final outcome. Also, it almost bridges a gap between science and art and I like how it looks aesthetically. It will be interesting to see how the real Petri dishes mould over time and how they look in relation to the ones I have painted. It is interesting that this final piece will continue to decay.
DOES THE COLOUR OF MOULD ADD TO THE HUMAN REPULSION OF IT?
IF IT WAS A DIFFERENT COLOUR, WOULD IT BE LESS REPULSIVE AND THEREFORE MORE ATTRACTIVE?
IF YOUR FOOD SUDDENLY DECAYED IN BRIGHT, APPEALING COLOURS WOULD YOU BE LESS DISGUSTED BY IT?
These are some of the questions I asked myself when producing this series of six different coloured moulding canvases.
To me, It is obvious which one of these paintings looks like mould because of its colour!
In these six pieces, I have experimented with making mould in exactly the same way as I have in past replica moulding canvases. However, here I have painted them in more attractive colours as well as the stereotypical greeny brown colour that mould is. The textures and materials used are exactly the same in all of the pieces but the colour of the pieces definitely change how you think about them and their visual appearance a lot. In my opinion, this set of six as individual pieces and as a piece as a whole are highly successful.
Although all of the pieces are incredibly interesting, THE GREEN COLOURED CANVAS IS THE ONLY ONE THAT REALLY LOOKS LIKE IT COULD BE MOULD. Therefore, the colour of mould DOES effect our ability to identify it and our repulsion of it. The fact that colour affects how we associate and see things is an interesting concept indeed. My experimentation here was a success and my assumption turned out to be correct, colour is a massive contributing factor to our understanding of what something is or what something looks like.