Here are some paintings that I produced in relation with Hidden Loneliness in the city. As I’ve mentioned I was heavily influenced by the colour palette and technique in the work of an artist I saw in the urban spree gallery and the work of the user shoe18 on deviantart online (previous blog post), I made some quick sketchbook drawings and I have decided to take it further and experiment with their inspiration in my paintings. These are mixed media pieces. I have used Black and Brown drawing inks, charcoal and Acrylic paint applied with a palette knife to produce these pieces.
I am really happy with these pieces. I think they portray my concept incredibly accurately. As I proposed earlier I have painted one person in colour and everyone else as white silhouettes with slight detail. I have deliberately painted the colour figure with no features to show that you are lonely in the city and when wandering it, you may as well not have an identity. People don’t notice anything distinguishing about you at all. The dripping ink is very effective. I am really pleased with the outcomes and I think the paint being applied with a palette knife and the bleeding of the inks is really effective. I am really taking a risk working with figures as I find it extremely challenging. If I was to do this style of work on a larger scale which I am tempted to do, I will spend more time working on the figures.
DOES THE COLOUR OF MOULD ADD TO THE HUMAN REPULSION OF IT?
IF IT WAS A DIFFERENT COLOUR, WOULD IT BE LESS REPULSIVE AND THEREFORE MORE ATTRACTIVE?
IF YOUR FOOD SUDDENLY DECAYED IN BRIGHT, APPEALING COLOURS WOULD YOU BE LESS DISGUSTED BY IT?
These are some of the questions I asked myself when producing this series of six different coloured moulding canvases.
To me, It is obvious which one of these paintings looks like mould because of its colour!
In these six pieces, I have experimented with making mould in exactly the same way as I have in past replica moulding canvases. However, here I have painted them in more attractive colours as well as the stereotypical greeny brown colour that mould is. The textures and materials used are exactly the same in all of the pieces but the colour of the pieces definitely change how you think about them and their visual appearance a lot. In my opinion, this set of six as individual pieces and as a piece as a whole are highly successful.
Although all of the pieces are incredibly interesting, THE GREEN COLOURED CANVAS IS THE ONLY ONE THAT REALLY LOOKS LIKE IT COULD BE MOULD. Therefore, the colour of mould DOES effect our ability to identify it and our repulsion of it. The fact that colour affects how we associate and see things is an interesting concept indeed. My experimentation here was a success and my assumption turned out to be correct, colour is a massive contributing factor to our understanding of what something is or what something looks like.
Above are images of some mixed media pieces on canvas that I have produced, in the aim of replicating mould and decay. I experimented with a vast variety of materials to see what gave me the best effect. These pieces are highly mixed media and are made out of: Acrylic Paint, Sugar, Salt, Modelling paste, Cotton wool, sponge, thread and Water. The paint has been applied in a variety of different ways and I found that mixing paint with sugar and thickening it with modelling paste gave me an amazing granular effect which lent itself very well to working on top of in layers to create a mouldy feel. I also surveyed a variety of people to ask them what they thought they were looking at and they all said mould, some of them even said bread mould which was more specific. I really enjoyed making these pieces and playing around with unusual materials, I feel these pieces are incredibly successful and that I have captured decay in its roarest form. I had to document decay for quite a while before I felt able to replecate the mould that was growing in paint. I definitely want to experiment more with mixed media and maybe create mould pieces like this on a much larger scale.