JIEUN PARK: Colourful Impression coexisting with loneliness

The work of Jieun park is highly relevant to my project. She explores the feeling of loneliness within her beautiful artworks. She tries to convey how the city is sold to us, what impression we get of it and its colourful glamourization with the loneliness than can be felt within it. A concept I thought would be highly challenging to capture. This art work is inspiring to me because it has been successfully portrayed.

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“The cityscapes in my works feel very dull, yet there is something that shines through. There are no signs of people living in the beautiful cities in my works. Although the city is packed with so many different kinds of buildings, it arouses a feeling of loneliness when I look at the complex city

The city is changing very fast while we are living our busy lives. The dull feeling of the buildings in my works portraits the people in hectic daily life where only meaningless everyday conversation exists.What I try to express through my works are the emotions that I felt at the specific moments during the journey. I remember how I was emotionally overwhelmed and felt lonely by looking down at the city from on high.

My personal feelings are described as under-painted ink marks which are instinctively spread and dropped on the surface. As I create relatively realistic images of the city within the abstract ink marks, I try to record ourselves in this fast changing city and its double sidedness where colorful impression coexists with loneliness.”

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In my opinion, the art work is visually stunning and fits in with the theme of “The Hidden City” obviously. The city is almost hidden within the ink marks. The long ink strokes contain the colourful city within them. To me, the darkness and harsh ink marks represent the feeling of loneliness itself. It shows how lonely you can feel even though you are surrounded by a large population and elaborate architecture. This is something that I want to capture within my work. It is an interesting idea, trying to capture a feeling. Jieun’s work encourages me to think about how I could show the fact that you are surrounded by so much but so alone.

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DANIELE DEL NERO: HIGHLY INSPIRATIONAL DECAYING BUILDINGS

Whilst exploring decay as an art from across the internet, I came across an article (link below) entitled “ARTIST USES MOULD TO CREATE DECAYED ARCHITECTURAL MODELS” and was obviously instantly interested.

http://www.wired.co.uk/news/archive/2010-11/30/mould-art

Artist Daniele Del Nero creates architectural scale models of buildings and then dampens the exterior of the structure and applies a thin dusting of flour. The model is then placed into a transparent case, which relates to my moulding perspex boxes. Mould starts to grow after a couple of days and dies within two weeks, leaving behind what the artist has described as “a dusty spider-web which covers the model like a rambler plant“.

Like me with my actual moulding artwork , He avoids having direct contact with the mould, removing the cover over the models only to photograph them. He has also related Food Decay to the Decay of the world in a way like I have. This is highly related to me using mould to show pollution and climate change in my factory piece. I have mentioned in my reflective journal a few times about how mould and decay can relate to the end of the world or its breakdown, I appear to have found an artist that feels the same way. He states “We are used to imagining our cities as permanent and definitive, but it’s amazing how little time it takes for nature to reclaim its spaces.”

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These works are AMAZING, they are definitely my favourite works out of all the other artists I’ve come across that use mould to create art. The photographs are beautiful as well as the pieces themselves. His work encourages me experiment with getting a more professional photo of my perspex boxes and other moulding objects as I don’t feel these would look as successful without the high level of photography and dark background. There is something very eery about these pieces, but I absolutely love them. Daniele Del Nero’s work is without a doubt a success. He wanted to “reproduce in small-scale the particular sensation of being in a lonely, abandoned place” and I feel he has without a doubt achieved this. He is a massive inspiration to me right now and his work definitely makes me want to experiment with creating 3D works and to use mould to create a certain feeling or atmosphere.