COLLABORATION: Final Presentation of our Journey as a Group and Outcomes

As a group, we delivered a final presentation of our journey as a collaborative, showing how well we believe we have collaborated together and the outcomes that have come out of us working with each other and learning from one another. We also watched the presentations of all the other groups and made notes. I found that our presentation was more about the journey we have all undertaken together rather than our outcomes and individual work. Most of the other groups were very focused on presenting their individual projects and research before getting to the collaboration half way through. We didn’t feel this was relevant and so started our presentation by stating that the one thing we all have in common is drawing and how we decided to build on that to make collaborative work. Below is a Link to our final presentation.

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I have also included some screen shots from the presentation above:

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We all felt creating this presentation really consolidated our collaborative journey and showed to us how much we had achieved and how well we have all got on. It has been a positive experience for all of us and we have each learnt from it and it has even informed our subject and individual work. We included all of our drawing sessions into the presentation and displayed the outcomes from these sessions to the audience. We mentioned all of the artists that have inspired our collaboration, both our drawings and animations and that our communication via facebook and in person has been incredibly important to our success. The book we made full of documentation was a centre piece of the presentation on a table in front of the projection for people to browse through, it is a highly personal document full of each of our handwriting, feedback, ideas and outcomes. We felt it deserved to be acknowledged. Playing our videos as part of the presentation was a definite success and showed the audience physical evidence of what we have produced. It was great that we were able to show both 2D and 4D work feeding into each other within our collaborative.

The delivery of our presentation went really well, we all got involved and spoke as a collaborative rather than individually. Everyone sounded really passionate about what they were talking about and it all ran very smoothly once we got going. Our presentation definitely showed that we had worked really well together but we felt we needed to express quite how much we had enjoyed it and that we had learnt so much for one another. We all agreed that we would definitely be meeting up in the future and if we ever needed any opinions about our work from the angle of another discipline we would be calling on the people we have worked with in this collaboration.

After we had successfully delivered the presentation, we celebrated our achievements and went for a drink as a group. It was quite an emotional end to a body of hard but highly enjoyable work and everyone appeared sort of sad that it was coming to a close. I would definitely work with these people again and as well as working successfully with these people, through this process I have also made new friends.

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Artist Research: Kimsooja: A Needle Woman

The artist Kimsooja was brought to my attention by one of my tutors. In particular, it was suggested that I looked at “A needle woman”,  a video installation of the artist standing in the middle of busy streets in different parts of the world as people pass her by and walk in the direction of the camera. She is a feminist artist and is approaching women’s labour of sewing within this work but I believe it definitely applies to the concept of my city project even if being alone or singled out amongst others in the city was not the artists original intention.

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This work made me think about the hidden loneliness of city life and the notion of being surrounded by others in the city but alone. She is standing in the middle of many people, but no one is interacting with her, she is being overlooked and people are just passing her by. She is an insignificant figure to them and at the same time all the people around her may as well not be there at all. The feeling of loneliness if highly evident in this work and I believe her video showing herself surrounded by others who are not interacting with her or even acknowledging her existence is not dissimilar to my project imagery of a coloured figure surrounded by white silhouettes.

This piece is highly inspirational and influential to my work, it confirms to me that you can be surrounded by others in the city but at the same time singled out and alone. It sort of highlights the ideas I have been working with and in supporting them adds to my works success.


PAINT WORKSHOP: Shaped Painting Exhibition

In the first hour, we were given the task of putting the final touches to our shaped paintings in preparation to informally exhibit what we have created within these sessions to our peers that have been working in other discipline sessions within fine art.

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I am incredibly pleased with my shaped painting, so much so that I am thinking of presenting it as one of my final pieces. I think the green glow coming through the monochrome is quite eery and heightens the feeling of loneliness within the painting. I have spent a lot of time working on this and I feel it definitely shows, I was really excited to exhibit this piece along side the shaped paintings of the other members of my painting group.

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It was really interesting to see how each of us had approached the task of creating a shaped painting very differently. All of the pieces had our own stamp on them and were painted in completely different techniques. Some people had completely covered the green underlay, some had let it show through as I have. It was fascinating to me that we had all been given the same brief and interpreted in very varied ways. I think presenting all our work as a mini exhibition was a great way of consolidating all that we have learnt the past weeks and the perfect opportunity for each one of us to take a step back and look at what we have achieved. I have really enjoyed attending these painting sessions on a monday and I have learnt a massive amount. I had never experimented with green underpainting or dry brushing or creating a shaped painting before and I have acquired valuable skills that will continue to influence my work and that will stay with me through the rest of my artistic life.


Experimenting: Loneliness: Wearing Headphones in the City

After undertaking the still life painting workshop, I was forced to think about an object that linked to my theme of the city. It took me a while, but I suddenly thought about how many people wear headphones when walking through the city. I started thinking about how if everyone around you in the city was wearing headphones to avoid its loneliness and to avoid facing the fact that you will interact with no one, then the people who don’t wear them must feel even more isolated.

I wanted to portray these ideas and experiment with firstly showing how common it is to see people wearing headphones in the city, and secondly how alone someone would feel in a city surrounded by “headphone beings”. I started sketching.

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I was really happy with these quick sketches and felt as if they accurately portrayed a body wearing headphones that you do not interact with and just passes you by in the city. I wanted to work these beings into a piece and decided that using actual headphones within the work could be interesting

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As an experiment, I think I have successfully explored the idea of being surrounded by people wearing headphones in the city. However, I think the concept of being surrounded by others but never conversing with them and the thought that they may as well just be silhouettes is more successful.  I do not think this is a particularly successful piece and to me it looks quite amateur. I feel this might be too literal and is not an area that I am going to continue to experiment with. I am glad I experimented here however, I learnt that thinking about how people avoid loneliness makes others lonely is not a route that I want to take my project down. I will now start thinking about finalising final pieces and consolidating my project as a whole.


PAINTING: Working with Monochrome and Being More Gestural

After attending a tutorial on Monday, I was glad that the tutor gave me some direction and new ideas and techniques to work with. After looking at my work, she suggested that I work with Monochrome and use the tones of grey to enhance the feeling of loneliness and make the individual coloured figure appear even more singled out and alone.

She also felt that my work was not really gelling as a whole and that I was working with three different realities and had to express the relationship between the figures, the single figure and the architecture. She said she thought the detailed buildings that were included in my work detracted from the figures and from the message within the pieces. She suggested that I experiment with contrasting colours, monochrome and full colour as well as contrasting languages, the gestural and the more realistic. I was encouraged to make marks and shapes that represent the buildings and to make them more gestural rather than focusing on every detail, window or door etc. I have experimented with making less detailed marks to create the city landscape with both brush and palette knife.

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I feel that working with a palette knife definitely helped me be less controlled and more gestural but doesn’t really gel with the figures painted with a brush and therefore is unsuccessful so I have experimented with more gestural brush work.

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I think this is far more successful and the monochrome definitely heightens the feeling of loneliness and the colours of the lone figure. After producing this piece, I decided to experiment with how much of the surrounding is seen within the painting, because even though the technique is successful, I feel that the buildings still are overwhelming the figures here.

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This definitely puts emphasis on the lone figure and draws the viewer to wonder why they are the only one not painted as a white silhouette and consider their loneliness rather than being distracted by the buildings in the piece.  These are highly valid experiments and have inspired me to create a final piece working with monochrome rather than the sepia alternative I have worked with previously. I feel this colour palette and deeper contrast portrays a more negative vibe and adds to the feeling of loneliness within the work.


COLLABORATION: Documentation: Collaborative Sketch Book

As a group collaboration, we have produced a book, full of documentation of the journey that we have undertaken whilst producing work as a collaborative. We were just going to display the book at our final presentation so that people could look through it, but after attending a tutorial it was clear that we needed to emphasize it more. The tutors were really pleased with our book and thought it would be a shame if it was optional for people to see it and so suggested that we make a page by page video clip of the book to include within our presentation. We welcomed this suggestion:

We agree that this book is more of a piece in itself rather than something to support our collaboration because it is a collaboration, it includes work from all of us and everyone’s different handwriting makes it quite personal. We will be including this video in our final presentation.


Large Painting – Reflecting and Bringing Together my Findings so Far

I am very pleased with the body of work that I have been producing relating to the City. I feel like I have an interesting concept, exploring the Hidden Loneliness of the City and have experimented with this idea in depth. However, I felt like I needed to consolidate my findings and portray what I have learnt and think is working so far. I decided to make a piece reflecting on these findings.

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In this piece, I have incorporated a variety of different medias including paint, ink, charcoal and gouache. I have portrayed the sepia tone influence that I have been working with inspired by an artist I came across in Berlin and user Shoe 18 on the deviantart forum. I started off with a dark brown ground here, influenced by my experimentation after undertaking the grounds workshop, I also painted an underpainting using a palette knife and worked on top of this employing Dry Brushing techniques that I learnt from attending the paint workshop sessions with James Green. I have worked with the concept of all of the people around you being insignificant and portrayed that they are just bodies and may as well just be white silhouettes because I believe it is particularly successful and left one person in colour to show they are lonely and singled out among all the others that they do not interact with.

I wanted to formulate a piece that includes all the experimentation and things that I have learnt that I believe have been positive and successful within this project. I believe this is an accurate reflection of this and a successful piece of work in itself. Now that I have consolidated and reflected, I feel that I can move on in my project with confidence and continue my experimentation.

After my tutorial on Monday, I realised that I haven’t experimented with monochrome because I was so inspired by the influences of the artists I mentioned, but this is what I will be working with next, I believe that the loneliness may be heightened by an empty monochrome background and the colours of the one person will appear more vibrant and therefore the person will stand out more. This seems like it will progress my work further and add to the portrayal of the Hidden Loneliness of Cities.